![]() Volume 3 (OTS 63, 2014) deals with the rhetoric, the formal and thematic framework, of Psalms 90-150 (the Fourth and Fifth Book of the Psalter). It employs a repetitive- instructive method of teaching, with main points of grammar continually repeated in 'match together' exercises and 'remember and note' boxed sections. Volume 2 (OTS 57, 2010) deals with the poetic framework and material content of the Second and Third Books of the Psalter (Psalms 42-72 and 73-89). 75.00 Hardcover PJ4567 This introductory workbook may be used in conjunction with any elementary grammar of Biblical Hebrew. ![]() The rhetorical analyses of Psalms 1-41 are preceded by a broad survey of the history of strophic investigation into Hebrew poetry, starting from the beginning of the nineteenth century. , Poetry, Biblical Hebrew, Encyclopedia of Hebrew Language and Linguistics 3:151-154. Synopsis: This book explores the little-regarded phenomenon of the tricolon in biblical Hebrew poetry, that is, those poetic lines that appear to have a. Vance, The Question of Meter in Biblical Hebrew Poetry. Volume 1 (OTS 53, 2005) deals with the poetic framework and material content of the book of Psalms. van der Lugt, Cantos and Strophes in Biblical Hebrew Poetry. The quantitative approach to a psalm in terms of verselines, cola and/or words in most cases clearly discloses a focal message. (1980), Theological University of Kampen, the Netherlands.His publications deal with the rhetorical structure of Hebrew poetry and include Rhetorical Criticism and the Poetry of the Book of Job (OTS 32, Brill, 1995) and Cantos and Strophes in Biblical Hebrew Poetry I, II, and III (OTS 53/57/63, Brill, 2006/2010/2013). ![]() The formal devices especially include quantitative balance on the level of the cantos in terms of verselines, verbal repetitions, and (on the level of the strophes) transition markers. ![]() agree on the principle that, as a rule, ancient Hebrew poetry shows some kind. Cantos And Strophes In Biblical Hebrew Poetry Ii. Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. 11 that is: between the second and third strophes of canto 2. ![]()
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